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Theatre, Film, and Television Biographies
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Vic Morrow to Lennie Niehaus
Peter Neufeld Biography (1936-)
Addresses: Office: 165 W. 46th Street, New York, NY, 10036.
Mr. Neufeld has served as a guest lecturer on commercial theatre and careerswithin it at the College of William and Mary, Columbia University, Yale University, New York University, and for the Foundation for the Development of theAmerican Professional Theatre (FEDAPT).
- Nationality
- American
- Gender
- Male
- Occupation
- manager, producer
- Birth Details
- December 12, 1936
- Brooklyn, New York
Famous Works
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Principal Stage Work, Assistant Company Manager
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Kismet, Carousel, Music Theatre of Lincoln Center, 1963-64; A Time for Singing, Broadway Theatre, NY, 1965-66; Annie Get Your Gun, Music Theatre of Lincoln Center, NY, 1965-66; The Impossible Years,Playhouse, NY, 1966-67; The Investigation, Ambassador, NY, 1966-67; Under the Weather, Cort, NY, 1966-67; Those That Play the Clowns,ANTA, NY, 1966-67; Ilya Darling, Mark Hellinger, NY, 1966-67.
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Company Manager
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A Minor Adjustment, Brooks Atkinson, NY, 1967-68; Something Different, Cort, NY, 1967-68; Here's Where I Belong, Billy Rose,NY, 1967-68; I Never Sang for My Father, Longacre, NY, 1967-68; Ilya Darling, Mark Hellinger, NY, 1967-68; The Chinese and Dr. Fish,Barrymore, NY, 1969-70; Park, Golden, NY, 1969-70; Little Boxes, New Theatre, NY, 1969-70.
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General Manager
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The Local Stigmatic, Actors Playhouse, 1969-70; The Unseen Hand, Forensic, The Navigators, Astor Place Playhouse, NY, 1969-70; How Much, How Much?, Provincetown Playhouse, NY, 1969-70; A wake and Sing, Bijou, NY, 1969-70; No, No, Nanette, 46th Street, NY, 1970-71; The Candyapple, Edison, NY, 1970-71; Foreplay, Bijou, NY, 1970-71;City Center American Dance Season, NY, 1970-71; The Sign in Sidney Brustein's Window, Longacre, 1971-72; Don't Bother Me I Can't Cope, Playhouse, NY, 1971-72; The World Famous Steel Pier Big Band, Shubert, NY, 1972-73; The Contrast, Blue Boys, Eastside Playhouse, NY,1972-73; The American Revolution, Ford's Theatre Society, Washington, DC, 1973-74; Rachael Lily Rosenblum, Broadhurst, NY, 1973-74; Fashion, McAlpin Rooftop, NY, 1973-74; Music, Music, City Center, 55th Street, NY, 1973-74; Sgt. Pepper's Lonely Hearts Club Band on theRoad, Beacon, NY, 1974-75; Manhattan Follies, Persian Room, PlazaHotel, NY, 1974-75; See America First, Upstairs at Jimmy's, NY, 1974-75; The Hashish Club, Bijou, NY, 1974-75; Augusta, Theatre de Lys, NY, 1975-76; Legend, Barrymore, NY, 1975-76; Starting Here,Starting Now, Barbarann Theatre Restaurant, 1976-77; Annie, Alvin,NY, 1975-76; Working, 46th Street, NY, 1977-78; Timbuktu!, Mark Hellinger, NY, 1978-79; Sweeney Todd, Uris, NY, 1978-79; Break aLeg, Palace, NY, 1978-79; Evita, Broadway Theatre, NY, 1979-80; Once a Catholic, Helen Hayes, NY, 1979-80; Talley's Folly, Brooks Atkinson, NY, 1979-80; Goodbye Fidel, New Ambassador, 1979-80; The Suicide, ANTA, NY, 1979-80; Kaufman at Large, Perry Street, NY, 1980-81; March of the Falsettos, Westside Arts, NY, 1980-81; TheFirst, Martin Beck, NY, 1981-82; Beyond Therapy, Brooks Atkinson,NY, 1981-82; Upstairs at O'Neals, O'Neal's Time Square Restaurant, NY, 1982-83; Cats, Winter Garden, NY, 1982-83.
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Major Tours, General Manager
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You Know I Can't Hear You When the Water's Running, national tour, 1968-69; The Student Prince, The Desert Song, national tour,1973-74.
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General Manager/Associate Producer
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Jesus Christ Superstar, Mark Hellinger, NY, 1971-72.
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Producer
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Murder Among Friends, Biltmore, NY, 1975-76; Night Games, Park Royal, NY, 1978-79; Evita, Broadway Theatre, NY, 1979-80; Cats, Winter Garden, NY, 1982-83.
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Theatre-Related Career
- Managing director, O'Neill Foundation Playwrights Conference, 1968-69; partnership with R. Tyler Gatchell to manage and produce commercial theatre, Gatchell & Neufeld, Ltd., 1969-present.
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